The first Gums collection is here, including the complete run of strips published in Monster Fun through 1976. The hapless, loveable shark with false teeth was a highlight of the short-lived Monster Fun comic and proved to be so popular with the fans that he appeared as the front cover strip for most of the run. The Great White (toothless) shark stalks a territory around the Australian coast, where he constantly butts heads with local surfer, Bluey. While Gums is out to snack on the youngster, Bluey is determined to take the shark's false teeth as a memento!

Originally published in 1994, Homelands, Harlem & Hollywood examines the anti-colonialist struggle against apartheid, and the ways in which American and South African culture have been fascinated with and influenced by one another. Rob Nixon's wide-ranging analysis looks at Hollywood representations of the struggle for liberation, the impact of the Harlem Renaissance on the Sophiatown writers, the banning and censorship of television under apartheid, Mandela and messianic politics, the sports and cultural boycotts, ethnic nationalism, and the culture of violence. Nixon concludes with an investigation of how the collapse of communism and anti-communism and the rise of ethnic cleansing in Eastern Europe and the former Soviet Union had powerful implications for the shape of post-apartheid South Africa.

Four children find an antique sundial that has magical properties allowing them to visit any house on Century Street and time-travel back to the date that matches the address.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T090174<Notes><imprintFull>London: printed for the compiler, and sold by Denley; Riebau; Setchel; Abel, Northampton; and by all other booksellers in town and country, 1797. <collation>24p., plate: port.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T301326<Notes>With engraved frontispiece signed: J. Stuart, Chest. Sc.<imprintFull>Chester: printed and sold by W. Minshull. Sold also by G. Sael, No. 192, Strand, London; and by all other booksellers, between 1796 and 1810?]. <collation>iv, 48p., 1] leaf of plates; 12